Showing posts with label hollywood. Show all posts
Showing posts with label hollywood. Show all posts

Friday, August 14, 2026

THE FIRST HOLLYWOOD UNDERGROUND FILM? TAKE THE ACID AND CHECK THE RECEIPT


Hollywood in 1967 was undergoing a transformation. The old studio system was fading, the counterculture was expanding, LSD had moved from laboratories into popular culture, and exploitation filmmakers were paying very close attention.

Enter The Acid Eaters.

Directed by Byron Mabe and produced by exploitation veteran David F. Friedman, the film follows a group of weekend thrill-seekers into a psychedelic landscape of sex, hallucinations and increasingly surreal imagery, including its famous LSD pyramid.

The movie was advertised as “the first Hollywood underground film.”

That's a great tagline. As film history, it deserves some scrutiny.

By 1967, American underground cinema was already well established. Experimental filmmakers, independent productions and countercultural screenings existed far outside Hollywood's conventional distribution system. Calling The Acid Eaters the “first” therefore tells us less about chronology than it does about a remarkable cultural moment.

The underground had become marketable.

Exploitation filmmakers recognized an audience that mainstream Hollywood was still struggling to understand. Psychedelia, sexual liberation, drugs and anti-establishment imagery weren't simply cultural developments; they could sell tickets.

Nearly sixty years later, The Acid Eaters is receiving treatment nobody making a quick exploitation picture in 1967 could reasonably have expected. American Genre Film Archive and Something Weird have restored the film from its original 35mm camera negative, pairing it with Mabe's Space Thing for a new release.

That restoration represents a broader reconsideration of exploitation cinema. Movies once regarded as disposable grindhouse product are increasingly being preserved as cultural artifacts—films that captured attitudes, anxieties and visual experiments respectable Hollywood sometimes avoided.

Was The Acid Eaters really the first Hollywood underground film?

Probably not.

But the advertisement itself may tell the better story.

By 1967, Hollywood's outer edges had discovered the underground.

And they knew there was an audience waiting there.

 

By the way- it's hot out - wouldn't you like to make slushies

 



Monday, July 27, 2026

Production Stories Jaws: The Broken Shark That Made a Classic

 

Had the mechanical shark worked as intended, Jaws might be remembered as just another successful monster movie.

Instead, the repeated failures of the production's most famous prop transformed Steven Spielberg's thriller into one of the greatest suspense films ever made.

Production began in 1974 on Martha's Vineyard with a budget of roughly $4 million. The plan seemed straightforward: build several full-size mechanical sharks and film the terrifying attacks in the Atlantic Ocean. Reality proved very different.

Saltwater wreaked havoc on the complicated hydraulic systems. The sharks malfunctioned constantly, sank unexpectedly, and often refused to operate at all. Days of filming were lost waiting for repairs while costs climbed dramatically. By the time production wrapped, the budget had swelled to approximately $9 million, and the schedule had expanded from about two months to more than five.

Faced with a monster that rarely worked, Spielberg adapted. Rather than showing the shark, he focused on what audiences couldn't see. John Williams' now-iconic two-note score became the predator's signature. Floating barrels, underwater camera angles, and the terrified reactions of the actors allowed viewers' imaginations to do much of the work.

The result was more frightening than any mechanical creature could have been.

When Jaws opened in the summer of 1975, it became a cultural phenomenon. It earned more than $470 million worldwide during its original release, becoming the highest-grossing film in history until Star Wars arrived two years later. Critics praised its craftsmanship, audiences returned repeatedly, and Hollywood took notice. The modern summer blockbuster had arrived.

Looking back, it's difficult to imagine Jaws without its troubled production. The very obstacle that threatened to derail the film became the catalyst for its greatest creative strength. It's one of Hollywood's enduring lessons: sometimes the best special effect is the one the audience never fully sees.


Sunday, November 12, 2017

Taking A Knee For South African Farmers

Mr Midnight Movie is helping bring awareness to the slain farmers in South Africa.  This is a problem that has remained off of the media's radar for too long!


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